Burton Lane
b. 2 February 1912, New York City, New York, USA. A distinguished composer for films and the stage. After studying piano as a child, Lane later played stringed instruments in school orchestras. Some early compositions written for the school band attracted attention, and while still in his early teens he was commissioned to write songs for a projected off-Broadway revue, which never came to fruition. In his mid-teens Lane joined the staff of the Remick Music Company where he was encouraged in his songwriting career by George Gershwin. In 1929 he worked with Howard Dietz on some songs for the Broadway revue THREE'S A CROWD, and with Harold Adamson on Earl Carroll's VanitiesOF 1931. When the effects of the Depression hit Broadway, Lane went to Hollywood and wrote for numerous musical films, often with Adamson. During the '30s his screen songs included Heigh Ho, The Gang's All Here, You're My Thrill, Stop, You're Breaking My Heart, Says My Heart and his first major hit, Everything I Have Is Yours. Perhaps the most popular of his songs of this period were The Lady's In Love With You ( Frank Loesser), from the film SOME LIKE IT HOT, I Hear Music (Loesser) and How About You? (Ralph Freed). The latter was sung by Judy Garland and Mickey Rooney in BABES ON BROADWAY (1940). Lane also contributed scores or single songs to other movies such as Dancing Lady, BOTTOMS UP, HER HUSBAND LIES, LOVE ON TOAST, ARTISTS AND MODELS, CHAMPAGNE WALTZ, COLLEGE HOLIDAY, SWING HIGH, SWING LOW, COCOANUT GROVE, COLLEGE SWING, St. Louis Blues, SPAWN OF THE NORTH, SHE MARRIED A COP, DANCING ON A DIME, SHIP AHOY, DUBARRY WAS A LADY, HOLLYWOOD CANTEEN, Royal Wedding, and GIVE A GIRL A BREAK(1952). ROYAL WEDDING contained one of the longest song titles ever—How Could You Believe Me When I Said I Love You When You Know I've Been A Liar All My Life?, as well as the lovely Too Late Now and Open Your Eyes (all Alan Jay Lerner). Among the other songs in those aforementioned pictures were I Hear Music, Poor You, Last Call For Love, I'll Take Tallulah, Tampico, Moonlight Bay, Madame, I Love Your Crepe Suzettes, You Can Always Tell A Yank, What Are You Doing The Rest Of Your Life?, and I Dig A Witch In Witchita. 
In the '40s Lane wrote the score for the Broadway musicals HOLD ON TO YOUR HATS (with E.Y. ‘Yip’ Harburg), LAFFING ROOM ONLY (with Al Dubin), and the whimsical Finian's Rainbow (Harburg). The latter show, which opened in 1947 and ran for more than 700 performances, contained a fine set of songs including That Great Come-And-Get-It Day, Old Devil Moon, How Are Things In Glocca Morra?, When I'm Not Near The Girl I Love, If This Isn't Love, and Look To The Rainbow. It was 18 years before Lane was back on Broadway with On A Clear Day You Can See Forever (Lerner) from which came Come Back To Me, Hurry! It's Lovely Up Here!, Melinda, and several other fine numbers. Lane and Lerner were teamed again in 1978 for CARMELINA, which, despite the engaging One More Walk Around The Garden, Someone In April, I'm A Woman, and ‘It's Time for A Love Song’, was a resounding flop. Throughout his long career Lane has worked with many partners. As well as the men already mentioned, these have included Ted Koehler, Sam Coslow, Ira Gershwin, and Sammy Cahn with whom he collaborated on songs such as Can You Imagine? and That's What Friends Are For for the Hanna-Barbera animated film HEIDI'S SONGin 1982. Ten years after that, at the age of 80, Burton Lane was inducted into the US Theatre Hall Of Fame and was presented with the Berkshire Festival Theatre's fourth American Theatre Award at a benefit performance appropriately entitled HOLD ON TO YOUR HATS. One of the stars of the show, singer and music archivist Michael Feinstein, released two CDs of Lane's songs in the early '90s. On each one he was accompanied by the composer himself on the piano. 
Laye, Evelyn2 
b. Elsie Evelyn Lay, 10 July 1900, London, England. An actress and singer—one of the most celebrated leading ladies of the English musical stage. Her father was the actor and composer Gilbert Laye (he added the ‘e’ on to the family name for stage appearances) and her mother the actress Evelyn Stewart. Known as Boo from when she was a baby, Evelyn Laye was constantly performing as a child, and made her professional stage debut at the age of 15 as a Chinese servant in a production entitled MR. WU. After appearing in THE BEAUTY SPOT, GOING UP, and THE KISS CALL, she had her first West End success in 1920 with THE SHOP GIRl, in which she was backed by a chorus of real guardsmen as she sang The Guards Parade’. In the early '20s she delighted London audiences in shows such as PHI-PHI, and The Merry Widow. MADAME POMPADOUR (1923), her first show for C.B. Cochran, was a significant landmark in her career, and was followed by more good roles in stylish productions such as CLEOPATRA, BETTY IN MAYFAIR, MERELY MOLLY, and BLUE EYES. By 1929, when Evelyn Laye introduced Drury Lane audiences to Lover, Come Back To Me in Sigmund Romberg's musical The New Moon, she had become the brightest star on the London theatre scene; Cochran called her ‘the fairest prima donna this side of heaven’. Around this time she was separated from her husband, the comedian Sonny Hale, and he later married one of her main ‘rivals’, the enchanting Jessie Matthews. She turned down the leading role in the London production of Noël Coward's Bitter Sweet, but triumphed in the 1929 Broadway production, and later succeeded Peggy Wood in the West End version. Her success on Broadway resulted in a trip to Hollywood and appearances in ONE HEAVENLY NIGHT with John Boles, and THE NIGHT IS YOUNG, in which she co-starred with Ramon Novarra and sang Sigmund Romberg and Oscar Hammerstein II's enduring When I Grow Too Old To Dream. While in America she married the British actor, Frank Lawton, and they were together until he died in 1969. On her return to England she made more film musicals, including PRINCESS CHARMING, WALTZ TIME, and Evensong (1934). The latter is regarded as perhaps the most accomplished of her relatively few screen appearances. Even in the '90s it continues to be re-shown in cinema retrospective seasons, and on television, providing a tantalising glimpse of an artist who lit up the screen whenever she chose to neglect her beloved stage for a while. During the remainder of the '30s, Evelyn Laye was a ‘ravishing’ Helen of Troy in HELEN!, appeared with the embryonic John Mills in GIVE ME A RING, co-starred with the far more mature Viennese tenor Richard Tauber in PAGANINI, and returned to Broadway in 1937 with Jack Buchanan and Adele Dixon for BETWEEN THE DEVIL. The show made history when it was presented for one night at the National Theatre in New York on the occasion of President Roosevelt's birthday, thereby becoming the first American Command Performance. In 1940 she sang You've Done Something To My Heart, Only A Glass Of Champagne, and Let The People Sing in Ronald Jean's revue, LIGHTS UP. During the remainder of World War II she appeared in the 1942 revival of The Belle Of New Yorkand another Romberg/Hammerstein show, SUNNY RIVER. She also served as Entertainments Director for the Royal Navy, and led the first-ever concert party for the troops based in the remote Scapa Flow in the Orkneys. In 1945 Evelyn Laye returned to the London stage in THREE WALTZES. Immediately after the war, when suitable parts in the musical theatre were few and far between, she played straight roles in plays throughout the UK and on a 1951 tour of Australia, but made a triumphant comeback to the London musical stage in WEDDING IN PARIS in 1954. More straight plays followed before she starred in the musical, STRIKE A LIGHT (1966), and replaced Anna Neagle for a time in the long-running Charley Girl. In her last musical (to date), Phil The Fluter (1969), she reflected on a better, more civilised age, in the memorable They Don't Make Them Like That Any More, a number that was so perfectly suited to her. In 1971 she appeared with Michael Crawford in the comedy, NO SEX, PLEASE—WE'RE BRITISH, and two years later was awarded the CBE. During the rest of the '70s and '80s she made several more films, including SAY HELLO TO YESTERDAY, with Jean Simmons and NEVER NEVER LAND with Petula Clark, and did a good deal of television work. In 1992, at the age of 92, she toured parts of the UK with the nostalgia show, GLAMOROUS NIGHTS AT DRURY LANE, and received standing ovations. In July of that year, in A GLAMOROUS NIGHT WITH EVELYN LAYE AT THE LONDON PALLADIUM, the elite of British show-business gathered to pay tribute and nod in assent as she sang They Don't Make Them Like That Any More. 
Further reading: Boo To My Friends, Evelyn Laye.