Jimmy Rushing
b. 26 August 1902, Oklahoma City, Oklahoma, USA, d. 8 June
1972. He began singing while still studying music at school in
his home town. By 1923 he was a full-time professional singer,
working in California with, among others, Jelly Roll Morton and
Paul Howard. Back home in the mid-'20s he teamed up with Walter
Page and then joined Bennie Moten and by 1935 was a member of the
Count Basie band. He remained with Basie until 1948 and then
worked as a solo, sometimes leading a small band. During these
later years he regularly worked with leading jazz artists
including Benny Goodman, Buck Clayton, Basie, and, during tours
of the UK, with Humphrey Lyttelton.
Rushing's voice was a slightly nasal high tenor which carried
comfortably over the sound of a big band in full cry. The fact
that he sang at a somewhat higher pitch than most other male
blues singers gave his performances a keening, plaintive quality.
In fact, his singing style and repertoire made him far more than
merely a blues singer and he was comfortably at ease with
romantic ballads. Nevertheless, he tinged everything he sang,
from love songs to up-tempo swingers, with the qualities of the
blues. Despite his extensive repertoire, in later years he
favoured certain songs, including Going To Chicago, Every Day I
Have The Blues and Exactly Like You, but even repeated
performances at clubs, concerts and record dates were infused
with such infectious enthusiasm that he never palled. Known
because of his build as Mr Five By Five, Rushing was at his best
in front of a big band or a Kansas City-style small group but
even when he stepped out of character, as on his final formal
record date, he could enchant listeners. By the early '70s, and
his last date, his voice was showing signs of decades of wear and
tear but he retained his unflagging swing and brought to unusual
material, such as When I Grow Too Old To Dream and I Surrender
Dear, great emotional depths and a sharp awareness of the needs
of both music and lyrics. An exceptionally gifted artist, Rushing
was always unmistakable and never imitated. He was original and
unique and one of the greatest singers jazz has ever known. He
died in 1972.
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